Ever since Japan opened its doors to the West in the latter half of the
nineteenth century, Westerners have been fascinated by the exquisite art
forms that flourished during the previous two hundred years of
self-imposed isolation. Among the most intriguing were the bold yet
refined paintings and prints known as ukiyo-e, which portrayed the
popular pursuits of the time with extraordinary power. Such was the
appeal of this unique art in the West that tens of thousands of superb
prints eventually found their way into museum collections around the
world. The present volume highlights over 130 outstanding examples from
the vast holdings of the Victoria and Albert Museum in London.
Strikingly original and sumptuously colored, the ukiyo-e in these pages
recapture the spirit of the period in which they were created. Here can
be found the glamorous courtesans of the Yoshiwara pleasure quarters,
the flamboyant vigor of kabuki theater, and the diversities of the
Japanese landscape.
The prints form a breathtaking panorama of the world
of ukiyo-e from its inception to its final flowering at the end of the
nineteenth century. Complementary texts by Rupert Faulkner and Richard
Lane illuminate the craft of woodblock print making and explore the
emergence of such versatile geniuses as Hokusai and Hiroshige. The
lasting appeal of Japanese woodblock prints may be rooted in the
richness of their imagery and the power of their innovation, or perhaps
in their uncanny ability to convey the special vitality of Edo Japan.
Whatever the case, this lavish volume seeks not only to pay homage to
the Japanese artists and craftsmen who took the woodblock print to
unprecedented heights, but also to show the range of this astonishingly
versatile art form.
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